Matt Nicholson's DUMMIES' GUIDE TO
TIT TORTURE PHOTOGRAPHY - Part 2
Matt Nicholson is the Publisher of Darker Pleasures, the Internet's only e-zine that focuses on breast bondage and tit torture.You can find this article -- fully illustrated with high quality photographs instead of the art miniatures -- plus the photo galleries they came from, the full-sized, original art, and over 20,000 other original photographs, stories, video clips, and much more erotic breast and nipple torture, when you subscribe to Darker Pleasures.
(Continued from The Dummies Guide... Part 1) Science and the Cyberbreast
The reason that photographs a la Internet work gets complicated. Thus a lesson in science becomes necessary. If you remember earlier we discussed what tit-people want in their breasts. Scientifically speaking, four senses apply: sight, touch, and taste, and sound.
Sir Isaac Newton, another dead scientific-type, once said, “An object in motion tends to stay in motion.” What most people don’t know is that his observations had nothing to do with scale models, science experiments or apples. Mr. Newton came to this realization after a rather languorous afternoon of making whoopee and applying his senses toward the observation of his partner’s sopapillas. He later commented that, “An object at rest tends to stay at rest.”
That was after his fourth romp and had more to do with his anatomy then hers.
Breasts never stay still. At the very least, they jiggle. They were obviously designed to do this since it takes no more than the rise and fall of a gal’s chest while she’s cat-napping to make it happen. While doing more strenuous activities - either clothed and vertical or not - boobs usually bounce all over. Women find this bothersome and uncomfortable. Men frequently drive cars into bar ditches or telephone poles because of it. And while the road to the big "O" generally leads through the "tunnel of love," fondled and groped tits and pinched, pulled, stretched, sucked, nibbled, and other ‘ed-ed nipples definitely put the gas petal to the floor.
If you're getting hot simply reading this paragraph and looking at Aria playing with her tits, we’ll take a break so you can go take a cold shower, at which time we’ll continue...
Now, as we implied earlier, the trick to good breast photography is creating an image that translates the three dimensional input we get during really fantastic sex into a flat, two dimensional image that can only be seen, and do it so the hormones rage just as if we were really rockin’ and rollin’.
We accomplish this through a little device called substitution. (Yes, now we're finally getting to something new and photography-like.)
Basically, what substitution boils down to is this. The person gazing into the monitor can't possibly grab, suck, bite, bounce, or play tic-tac-toe on a jpeg image of a boob, any more than he, or she, can hear the moans of the woman in peril. Therefore, the tit torture photographer and his most talented and well endowed model must provide substitutions, which provide the same imagery that the viewer would get if he was blessed with the chance to use his own fingers, lips, and other body parts on her bosoms.
Those substitutions come in many forms. On the obvious side, the model can use her hands to push, pull, poke, grope, flatten, and... well you get the idea. The photographer or an assistant can also participate in this technique of manual breast manipulation.
Rather than using hands, however, one can use any variety of clips, clamps, ropes, cords, and so forth in order to shape the model’s breasts and nipples into visually stimulating reproductions of what one would generally see in a satisfying session of intimacy. The only limits to what one might use are the imaginations of the photographer and the photographee.
In short, successful breast punishment photography accomplishes two things. It allows the viewer to indulge in those Cro-Magnon fantasies that would otherwise be beyond his reach, or at least not without a very long extension pole, without causing any real corpus dilectum any harm; and it translates the full range of senses that he would have available in a three dimensional set of knockers into an image that simulates reality to such an extent that the picture isn't a half-bad substitute.
It goes without saying that most men would sing praises on high at any chance to glom onto a nice set of tatas under any circumstances. For the photographer, however, capturing them in a permanent hard-on image requires an understanding that certain positions, as well as certain pieces and parts, lend themselves to more inspiring pics than others. Factors such as whether or not the breasts will be supported or unsupported are heavy hitters in the consideration category.
Supported shots include pictures where some type of corset or brassier is in place; shots in which somebody’s hands are cupping, groping or otherwise manipulating the focus of the photograph, or shots in which the breasts are tied or supported by suspended nipple clamps.
SHOW ME THE NIPPLE
The Missionary Position of Breast Photography
They also include shots where the breasts might be resting on something, such as on a bed, two by four, serving tray, or what have you.
Unsupported shots are any shots that depicts the breasts to resting without any assistance just as nature intended. The most popular and effective unsupported modeling positions for breast photography involve those that feature the model with her arms stretched above her head. This particular position, whether upright or prone, caters to both the Neanderthal “tie me up and ravish me” part of the art, as well as to the, “what translates best to pictures” part.
Having some nubile hot thing bound with her arms out of the way makes it unbearably simple to manhandle a fine pair of breasts to one’s heart’s content without any chance of interference from the hapless lass. Take a good shot of these, and your audience will be thinking, "Yes! Dessert!"
Practically speaking, from a breast photography standpoint, this position lends itself to being the most flattering to almost all models and their home-grown melons. Stretching the arms upright tends to stretch the breasts as well, a natural sort of cross your heart, lift and separate sort of trick, if you will. The higher, or further back, the arms, the flatter the breasts. Although this may not be an issue for A and B cups, larger breasts, which are generally the most sought after, have a tendency toward relenting to the desires of gravity. This results in breasts which roll sideways if the model happens to be temptingly tied horizontally, or in breasts which tend toward less than flattering dips toward the floor when your model is swooning upright.
Other methods of counteracting gravity can be found in back arching and chest thrusting, both of which effectively pull the breasts tight from the sides instead of from the upper chest. Though not as effective, these two techniques make for some very vivid imagery in their own right. When combined with wrists tied overhead, either in mid-struggle or in exhausted collapse, these images are frequently your best hormone enragers.
This is not to say that other positions don’t have their place.
As with the Kama Sutra, variety is the spice of life when photographing breasts. Like the missionary position (or whatever position tends to float your boat the most), however, these techniques should be the bread and butter of your photographic portfolio.
(Continued in The Dummies Guide... Part 3)
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